Retablo de la corte de Carlos Jiménez 1993 may quite likely be the most iconic work of artist Marisel Jiménez 1947 Her personal iconographic repertoir headlined by her group of marionettes that despite their structural mobility seem to be immortalized by an intrinsic stiffness of sorts portray the artists critical view of the structures of power and violence that permeate family relations
Book: The Altarpiece of the Court of Carlos Jiménez
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